Li Qun crafted the woodcut print “Spring Arrives at Dongting Lake” to experiment with a more contemporary style, using only three colours: white, green, and black. He simplified the depiction of trees and used size to create depth in the composition. In this artwork, oxen are portrayed in the foreground and mid-ground, while sailing boats float on the lake in the background. Li Qun adopted a simplistic approach to represent water, enhancing the overall aesthetic. Notably, the reflection of oxen and trees in the ponds adds depth and dimension to the scene. This woodcut print represents a more innovative approach for Li Qun, showcasing his willingness to explore new techniques and push artistic boundaries.
Childhood 1912-1930
A village childhood Li Qun’s roots trace back to a quaint mountain village, an enclave characterised by a mere six courtyards and ten households in its nascent years. This hamlet, situated in Lingshi County, Shanxi Province, earned its identity as Hao Jia Zhang. Positioned to the east of Fenhe River,