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Li Qun Chinese Paintings

Li Qun’s Chinese paintings, marked by a harmonious blend of spirit, charm, and artistic conception, have garnered attention at domestic and international exhibitions. Noteworthy works, such as “Red Rose“, “Crimson Frost Leaves Resembling Spring Blooms“, “Chinese Rose”, “Xishuangbanna Scenery“, “Autumn Maple Leaves” and “Falling Leaves In Autumn Wind” exhibit a strong lyric colouring, reflecting his experiences with the sketch group in Jiuzhaigou and Xishuangbanna in 1985. Embark on a captivating exploration of Li Qun’s Chinese paintings.

A traditional Chinese water painting with birds flying above trees and some resting on branches.

Bathed in the Twilight Glow

1984

A traditional Chinese water painting of red leaves mixed with some grey and black leaves, with a small bird flying between the leaves.

Red Rose

1985

A traditional Chinese water painting with a red panda sitting on a tree branch.

Little Red Panda

1985

A traditional Chinese water painting of red leaves on a tree.

Red Leaves

1985

A traditional Chinese water painting with of trees on the foreground and bamboo huts on the background.

Xishuangbanna Scenery

1985

A traditional Chinese water painting of a tree during winter with no leaves and some birds on the tree with one about to land.

Fen River in Autumn

1987

A traditional Chinese water painting of plants in a pond with a dragon fly hovering above.

Joyful Wild Pond

1987

A traditional Chinese water painting of bamboo.

Green Bamboo in Delicate Dew

1988

A traditional Chinese water painting of Chrysanthemum Flower.

Chrysanthemum Flower

1989

A traditional Chinese water painting of pine trees.

The Sound of Pine

1991

A traditional Chinese water painting of a magpie on a tree branch.

The Magpie

1996

A traditional Chinese water painting of pine tress at night with the moon in the background.

Bright Moon Among Pine

1996

A traditional Chinese water painting with bamboo in the foreground and a moon in the background directly behind the bamboo.

Lustrous Moonlight Post Rain

1997

A traditional Chinese water painting of bamboo.

Enduring Bamboo Amidst Hardship

1997

A traditional Chinese water painting with a squirrel foraging on a tree branch.

Squirrel Foraging Adventure

1997

A traditional Chinese water painting of bamboo.

Spring Rain Blessing Bamboo Grove

1998

A traditional Chinese water painting of cherry blossoms.

Plum Blossoms in the Wake of Winter’s Chill

1998

A traditional Chinese water painting of pink Peony in bloom.

Peony Bloom

1998

A traditional Chinese water painting of an owl at night eyes wide open sitting on a pine tree branch.

Farmland Guardian

1998

A traditional Chinese water painting of mountains and trees.

Enchanting Scenery of Jiang Mountain

1998

A traditional Chinese water painting of bamboo.

Bamboo By The Moonlight

1999

A traditional Chinese water painting of a pine tree in front of a lake.

Pine Tree

2000

Pine Vistas of Taihang Mountains

2000

Amidst the Taihang Peaks

2000

Serene Jiangnan

2000

A traditional Chinese water painting with of a tree with white flowers.

Mystic Aroma Drifting

2001

A traditional Chinese water painting of the Jian mountains waterfall.

Arrival of Spring’s Cascading Waters

2001

A traditional Chinese water painting of bamboo blowing in the wind.

Single bamboo stem swaying in the wind

2002

A traditional Chinese water painting of red cherry blossoms.

Whispers of Delicate Aroma

2002

A traditional Chinese water painting of bamboo.

Spring Shower Gracing Bamboo Grove

2002

A traditional Chinese water painting of cherries.

Red Cherry

2002

A traditional Chinese water painting of trees and mountains in the background.

Scenic Beauty of Jiang Mountains

2002

A traditional Chinese water painting of white peony.

White Peony

2002

A traditional Chinese water painting of bamboo.

Graceful Garden Bamboo

2002

A traditional Chinese water painting of red leaves.

Crimson Frost Leaves Resembling Spring Blooms

2002

A traditional Chinese water painting of autumn trees leaves falling from the tree.

Falling Leaves In Autumn Wind

2003

A traditional Chinese water painting of Hoopoe amidst the pines.

Hoopoe Amidst the Pines

2003

A traditional Chinese water painting of August Osmanthus blooming.

August’s Osmanthus Perfume

2003

A traditional Chinese water painting with bamboo Grove in front a lake with a fishing man on a small boat.

Lakeside Bamboo Grove

2003

Three Pines

2010

Spring’s Breath Among Pine Covered Mountains

2010

Magnolia Blossoms

2010

Aroma of Plum Blossoms

2010

Neighbouring Blooms

2010

Orchid

2010

Lunar Harmony with Pine Silhouettes

2010

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In memory of Li Qun (1912-2012)

Our mission is to safeguard and champion Li Qun’s artistic legacy and literature for the benefit of future generations. This digital memorial stands as a tribute to Li Qun’s lifetime of artistic brilliance.

Our pledge is to meticulously document and categorise every piece of art created by Li Qun, creating a comprehensive resource for enthusiasts and scholars alike. Furthermore, we are committed to preserving his gallery, the Li Qun Art Gallery, and promoting Lingshi county, Taiyuan city and Shanxi province.

Delve into our extensive online catalogue, uncover the curated locations of Li Qun’s art, or visit the Li Qun Art Gallery located in the culturally rich Wang Jia Da Yuan. Set against the backdrop of the heritage-listed Wang’s Family Compound, a Qing Dynasty mansion, the gallery seamlessly blends art and tradition.

Explore the profound impact of Li Qun’s artistic journey, through both the visual realm and the literary dimensions of his work.

Childhood 1912-1930

A village childhood Li Qun’s roots trace back to a quaint mountain village, an enclave characterised by a mere six courtyards and ten households in its nascent years. This hamlet, situated in Lingshi County, Shanxi Province, earned its identity as Hao Jia Zhang. Positioned to the east of Fenhe River,

Entering Society 1931-1935

A fervent and spirited young man, deeply moved by the news of the “September 18th” incident, found himself compelled to resist the aggressive incursions of Japanese imperialism on Chinese soil. Unwilling to acquiesce to a policy of non-resistance before aggressors or to tolerate any actions undermining national prestige, the young

War of Resistance to Japan 1936-1938

Following the Marco Polo Bridge Incident on July 7th, a significant event unfolded in Shanghai known as the “August 13th” Anti-Japanese War. It marked a critical juncture for the Chinese nation, prompting a collective response from those unwilling to endure subjugation. The call to action resonated with the spirit of

Journey to Yan’an 1939-1945

In Li Qun’s contemplation, Yan’an had long been the revered sanctuary he ardently sought. Communist Party members and numerous progressives within the “Wuhan Third Office” had already developed a certain level of “Yan’an Fever”. Although Li Qun was not yet a Communist Party member at that time, Guang Weiran had

Journey Along Jinsui 1946-1948

In August 1945, following the Japanese surrender, Liqun bid farewell to Yan’an, where he had dedicated six years of work and life. He arrived in Xingxian County, Shanxi Province, which served as the political and cultural hub of the Shanxi-Suiyuan Border Region. There, he assumed the role of chief editor

Formative Years of the People’s Republic 1949-1966

Following the inaugural national literary congress, Li Qun adhered to Comrade Zhou Yang’s directives and returned to Shanxi to collaboratively establish the Shanxi Federation of Literary and Art Circles with Comrade Gao Muhong. In December 1949, the first literary congress of Shanxi Province was successfully convened, electing Gao Muhong as

A Decade of Challenges 1966-1976

During the tumultuous period of the “Cultural Revolution,” Li Qun, like many writers and artists, faced severe hardships and endured humiliation. Initially transferred back to Shanxi in early 1966, the upheaval of the “Cultural Revolution” saw him forcefully returned to Beijing, labeled as part of the “gangster” team of “reactionary

The Dawn of a New Era 1977-1997

With the demise of the “Gang of Four,” a wave of joy swept across China. Li Qun, like countless others, found himself advancing into a new chapter in the aftermath of the storm, standing beside the “sinking boat” and the “ailing tree” during a time of tremendous possibilities.

Enchanting Twilight 1998-2012

Determining precisely when Li Qun entered old age proves challenging, given the considerable gap between his vitality and chronological age. As mentioned earlier, even in his 70s during the reform and opening up era, he exhibited a spirit that belied his years. Approaching 80, on the cusp of the new

Woodblock Prints

版画

版画

Li Qun began his artistic journey in 1931 at the National Art Gallery of Hangzhou, influenced by Lu Xun's advocacy for emerging woodcuts. He co-founded the Muling Woodcuts Research Society in 1930, establishing himself as a pioneering figure in the nascent Chinese woodcuts movement.

Chinese Painting

Sketch

Uncover a treasure trove of never-before-seen sketches, adding a unique dimension to Li Qun's artistic legacy.

Li Qun Art Gallery

王家大院

王家大院

Visit the Li Qun Art Gallery, nestled within the majestic embrace of the Wang Family Compound. Embark on a captivating journey through time, history, and artistic mastery as we celebrate the enduring legacy of Li Qun in this culturally rich setting.

Literature

My Paradise

1984

The pure and lively sensibilities of children, influenced by nature, the memorable and relatable people encountered during youth, and the longing of young minds for life and his emotional reflections. These themes permeate the work of the acclaimed woodcuts artist Li Qun. In this book, Li Qun skilfully intertwines literature

The tale of the wild girl

1987

In the remote mountain village of Shanxi Province, Guilian grows up without her mother’s love, facing her father’s bitterness and the superstitions that label her unlucky. Despite harsh circumstances, she finds solace in nature and solitude. As she matures, Guilian’s resilience becomes her strength, defying her father’s attempts to sell

Li Qun Art Insights

1991

Li Qun the renowned woodcuts artist from Shanxi has weathered numerous challenges and remained committed to self-improvement, guided by unwavering beliefs and relentless determination. His journey from rural origins to urban landscapes, from the city to Yan’an, reflects his resilience and perseverance amidst life’s trials. This book not only chronicles

My Art Journey

1997

An autobiography penned by the renowned Chinese woodcuts artist Li Qun. Through a blend of documentary techniques, Li Qun vividly recounts the twists and turns of his career, tracing his creative journey and artistic evolution over the past century. This captivating autobiography immerses readers in the rich tapestry of historical

The Art and Literature Review Collection of Li Qun

1998

Li Qun renowned woodcuts artist who has been engaged in artistic creation for nearly 60 years. He persists in both printmaking and literary creation, and is also involved in Chinese painting. Additionally, he is a well-known art critic. His prints are characterised by their simplicity, clarity, and lyrical colours, reflecting

Selected Poems of Li Qun

2003

“Selected Poems of Li Qun,” compiled by the artist himself, finding its verses rich in sincerity, vivid imagery, and melodious rhythms. Divided into three volumes with a total of 88 poems, the collection showcases Li Qun’s deep emotions, artistic vision, and linguistic precision. Each poem resonates deeply, ranging from tranquil

Literary and Artistic Collection of Li Qun

2003

Li Qun, born on December 25, 1912, in Haogia Village, Shanxi Province, has been involved in art for nearly 60 years. He grew up in a rural environment, which greatly influenced his woodcut creations and writings. Li Qun studied at the National Hangzhou Art Specialized School and later joined the

Sunset Collection

2004

Li Qun, known primarily as a woodcuts artist showcases his literary talents alongside his passion for painting in an anthology spanning novels, essays, and critiques. The collection starts with “The Story of the Wild Girl,” a moving novel, followed by serene prose pieces like “My Paradise” and “Hua Orchid.” His

Diary of living in Australia

2008

In December 1994, Li Qun embarked on a five-month journey to Australia, chronicling his experiences in “Diary of living in Australia.” Through daily entries, he contrasts the climate, environment, and cultural interests of Australia with the mainland. Sydney’s wildlife, especially the playful parrots, captivated him, as shared in his letter

Afterglow Collection

2008

The “Afterglow Collection” signifies the culmination of Li Qun’s literary journey following the “Sunset Collection”. Within its 34 articles, each holds significance. Particularly noteworthy is “The Eternal Navigation Lighthouse,” detailing the “Yan’an Forum on Literature and Art” exploring its historical impact and contemporary interpretation. “My Creative Path” delves into personal

Special Edition Wishing Mr. Li Qun a Happy 97th Birthday

2008

Congratulations – To Mr. Li Qun, a renowned Chinese printmaker, writer, literary critic, and local luminary. Respected Mr. Li Qun: Today marks your 97th birthday. First and foremost, please allow us, on behalf of the Ling Shi County Committee, Government, People’s Congress, Political Consultative Conference, and all 240,000 residents of

Picture Biography of Li Qun Iconic Woodcuts Artist

2009

The forthcoming “Picture Biography of Li Qun” provides an in-depth look into the life and artistic journey of this revered figure. From his humble beginnings in Shanxi to becoming a pioneering force in China’s woodcuts and printmaking movement. Li Qun’s unwavering commitment to his craft endured personal and political challenges.

The Life and Literary World of Li Qun

2011

Li Qun, in my view, is a remarkable figure of his generation. Decades ago, I came across his woodblock prints in the “Jin Sui Daily,” and they truly captivated me. He had connections with the cultural giant of China, Mr. Lu Xun, as early as the 1930s. He was the

The Complete Works of Li Qun

2019

“The Complete Works of Li Qun” is a comprehensive nine-volume collection that showcases Mr. Li Qun’s dedication and creative accomplishments across various fields such as woodcut paintings, essays, novels, and literary critiques. Each volume stands as a complete entity, offering readers a glimpse into Mr. Li Qun’s artistic evolution from

Woodcut Poet of the Yan’an School of thought: Collection of Research Documents on Li Qun’s Art

2023

Li Qun is a prominent figure in the emerging woodcut printmaking movement in China and embodies the poetical spirit of the “Yan’an School.” He has had a significant influence on the development of modern printmaking in China. From a young age, he dedicated his art to the great cause of

Catalogues

Selected Works of Li Qun’s Woodcut Prints

1980

The text discusses an art exhibition held by Comrade Li Qun in Beijing’s Beihai Park, showcasing 26 pieces of his work, mostly new except for those from 1941. Despite facing challenges during various political movements over 39 years, Li Qun’s diligence shines through in his diverse and vibrant artworks. His

Compilation of Li Qun’s Woodcut Prints

2002

Li Qun, a native of Lingshi, Shanxi is a prominent figure in the realms of Chinese woodcuts and literary criticism. His artistic journey began at the National Hangzhou Art College (now the China Academy of Art) in 1931, a time when the influence of Lu Xun spurred a flourishing interest

Li Qun Chinese Painting Collection

2004

Li Qun, influenced by masters like Pan Tianshou and Li Kuchan, honed his Chinese painting skills at the National Hangzhou Art College. Combining this foundation with decades of printmaking experience, he crafts captivating works exhibited worldwide. His paintings, infused with spirit and form, resonate deeply, offering viewers a harmonious blend

Land and People Prints by Li Qun in 70 Years

2004

Li Qun emerges as a key figure, serving both as a witness and participant in the emerging art movement. Despite facing personal and societal challenges, Li Qun’s early works reflect influences from artists like Bouguereau and Mucha, as well as Soviet realism. Teaching at the Lu Xun Academy of Arts

National Art Museum of China Li Qun Selected Collection

2008

The “20th Century Special Incentive Scheme of National Art Collections and Donations” is a significant cultural initiative in China aimed at recognising artists’ contributions to 20th-century art. Started in 2004 under the Ministry of Culture’s leadership, it established the Shangguan Art Museum, praised by veteran artists who generously donated their

Li Qun’s 100th Anniversary Chinese Painting Album

2011

Titled “Li Qun’s 100-Year-Old Painting Collection,” this anthology celebrates the artist’s journey in Chinese painting, coinciding with his 99th birthday in December 2011. Tracing back to his education at the National Hangzhou Art College under revered mentors Pan Tianshou and Li Kutan, Li Qun initially pursued woodcarving. However, as age

Li Qun Chinese Painting Collection

2011

Mr. Li Qun, a respected figure in the Chinese art world, has been known nationwide for decades. Due to my love for art, I had the privilege of meeting him years ago. Despite the distance, our connection remained strong. In 2004, Mr. Li invited me to his solo exhibition, showcasing

Li Qun Woodcuts Art Collection

2017

A collection of works donated to the Taiyuan Art Museum with the support of Li Qun’s family. The Li Qun Woodcuts Art Museum serves as a hub for collecting, preserving, and promoting his legacy. Located in Exhibition Hall 7 on the third floor of the Taiyuan Art Museum, the museum

Li Qun Sketch Collection

2021

Mr. Li Qun, renowned for his woodcuts printmaking, left behind a collection of sketches that offer profound insights into his artistic journey. These sketches, discovered after his passing, span various subjects and scenes, reflecting the artist’s emotions and serving as source material. Despite their simplicity, they resonate deeply with viewers.

Full Chronicle 1912-2012

A comprehensive exploration of Li Qun Woodcuts spanning a remarkable 100-year chronicle that meticulously documents the life and career of this esteemed artist.

Gain insight into key events that shaped Li Qun’s trajectory, from his formative years in early 20th-century China to his influential presence in contemporary art. Discover the evolution of Li Qun’s craft as it intersects with major historical milestones, such as China’s Japanese invasion, Cultural Revolution and the modernisation era.

This chronicle provides a factual and detailed account of Li Qun’s journey, offering a unique lens into the socio-political landscape that has shaped both Li Qun and his iconic woodcut creations. Delve into the specifics of his chronicles to uncover the factual intricacies of a century-long artistic legacy.

We offer a range of services from sourcing Li Qun’s art for purchase, but more importantly documenting artworks in public collections globally.

If you have Li Qun’s art work, we would like to keep a record of your collection. this is to help the future validations of Li Qun’s art work.

We are committed to facilitating a comprehensive understanding of Li Qun’s artistic legacy. While our services do not include artwork verification, we do have established contacts that may assist in this regard, subject to potential costs.

This website is managed by Li Qun’s family to preserve his legacy, and to connect with curators, historians, collectors, artists, fans and admires across the globe.

contact@liqunwoodcuts.org