Li Qun’s 1941 woodcut “Portrait of Chernyshevsky” is a significant piece influenced by socialism, depicting the Russian revolutionary and philosopher Nikolai Chernyshevsky. It symbolised socialist ideals and unity between China and the Soviet Union. Like his portrayal of Mayakovsky, Li Qun’s depiction of Chernyshevsky reflects socialist realism, aiming to illustrate the struggles and values of the working class. By featuring Chernyshevsky, Li Qun communicates themes of global solidarity and shared socialist objectives. Overall, this artwork exemplifies the socialist influence in Chinese art during the early 20th century, emphasising unity and collaboration among socialist nations.
Childhood 1912-1930
A village childhood Li Qun’s roots trace back to a quaint mountain village, an enclave characterised by a mere six courtyards and ten households in its nascent years. This hamlet, situated in Lingshi County, Shanxi Province, earned its identity as Hao Jia Zhang. Positioned to the east of Fenhe River,