“Heilongjiang Autumn” painted in 1980, reflects Li Qun’s journey with printmaker Du Hongnian along the Heilongjiang River. The scene captures the mid-autumn ambiance, showcasing birches and poplars along the shore in golden hues against distant blue mountains. This picturesque view deeply impacted Li Qun, prompting him to recreate it in his painting. Notably, the Soviet Union’s “Observation Pavilion” across the river adds a layer of complexity to the artwork. Given the tense Sino-Soviet relations at the time, the painting’s elements could be interpreted as a plea for peace or a subtle warning. The ambiguity of the painting invites viewers to contemplate its meaning and significance.
Childhood 1912-1930
A village childhood Li Qun’s roots trace back to a quaint mountain village, an enclave characterised by a mere six courtyards and ten households in its nascent years. This hamlet, situated in Lingshi County, Shanxi Province, earned its identity as Hao Jia Zhang. Positioned to the east of Fenhe River,