In 1955, Li Qun, amidst his editorial duties, created another noteworthy piece titled “Cineraria.” Despite the prevailing literary and artistic policy advocating diversity of creative expression, some critics questioned Li Qun’s focus on floral subjects, contending that it deviated from expected portrayals of workers, peasants, and soldiers. Nonetheless, “Cineraria” garnered recognition, finding a place in the Yugoslav Museum, showcasing Li Qun’s artistic skill and navigating the nuanced challenges of the era.
Childhood 1912-1930
A village childhood Li Qun’s roots trace back to a quaint mountain village, an enclave characterised by a mere six courtyards and ten households in its nascent years. This hamlet, situated in Lingshi County, Shanxi Province, earned its identity as Hao Jia Zhang. Positioned to the east of Fenhe River,