The text discusses an art exhibition held by Comrade Li Qun in Beijing’s Beihai Park, showcasing 26 pieces of his work, mostly new except for those from 1941. Despite facing challenges during various political movements over 39 years, Li Qun’s diligence shines through in his diverse and vibrant artworks. His style has evolved to incorporate elements of traditional Chinese and folk art, resulting in a concise and lively aesthetic. The woodblock printing technique Li Qun employs allows for bright contrasts and a unique artistic expression. His artworks, often depicting lyrical subjects, evoke a sense of simplicity and freshness, akin to reading a lyrical poem. While Li Qun also explores rural life and daily labour scenes, his artistic integrity remains intact.
Childhood 1912-1930
A village childhood Li Qun’s roots trace back to a quaint mountain village, an enclave characterised by a mere six courtyards and ten households in its nascent years. This hamlet, situated in Lingshi County, Shanxi Province, earned its identity as Hao Jia Zhang. Positioned to the east of Fenhe River,